Trends of 2022: The year in tech
Changes swept through the tech sector this year, leaving a trail of uncertainty across social media, cryptocurrency, and the creative workforce – but opportunity in some corners, too
Changes swept through the tech sector this year, leaving a trail of uncertainty across social media, cryptocurrency, and the creative workforce – but opportunity in some corners, too
Modern board games can help us understand complex real world scenarios, while also having fun. We take a look inside the current boom for new games and how they are designed
Graphic designer Suzy Chan has spent the past two years working with kids in a Chinese factory, using co-creation to present what family life is really like in these often-denigrated work environments
It’s time for unending layers of plastic to be designed out, says Here’s Mark Paton, who believes tech and electronics brands are missing a huge opportunity on the packaging front
DDB Fresh promises to bring fashion innovation together with brands in other sectors. Darko Silajdžić, who is heading up the agency, explains why Fresh’s proposition will go further than merch
Designers the world over are devoted to the concept of form following function. But, argues We Are Pi’s Rick Chant, the world of the 21st century requires the addition of engagement to truly break through
Speakers from Space10, Ikea’s research and design lab; TBWA\Media Arts Lab, which works with Apple; and adam&eveDDB all join CR editor Eliza Williams to discuss brand legacy in our latest virtual event
Bruce Mau, who spoke recently at Design Week Ireland, talks to CR about his design philosophy, how he defines the role of a designer, and makes a case for optimism in dark times
For the latest edition of Creative Review’s new podcast series, we examine the state of the metaverse, and discuss how, why and when brands should be getting involved
The latest edition of CR’s new podcast, Creativity Sucks!, takes a look at the world of apps and digital design with the help of three expert guests
The banking app worked with Ragged Edge to create an identity that is “more friendly, more human, more Monzo”
After living in the UK for more than 20 years, Filipino-born, CPB London head of design June Frangue has observed how ESEA London restaurants have embraced mouth-watering designs in recent years. Here he picks eight of his favourites