The Economist focuses on integrity in new identity
Wolff Olins is behind the rebrand, which ties together different parts of the Economist Group such as journalism and education using a ‘red thread’ design element
Wolff Olins is behind the rebrand, which ties together different parts of the Economist Group such as journalism and education using a ‘red thread’ design element
The editor of Polyester zine reflects on being diagnosed with a life-changing illness aged 19, and how it’s led her to chart her own path through the creative industries
From the team behind design studio SocioDesign and type foundry Sociotype, the new biannual magazine is envisioned as a platform for thoughts on culture and society – but also happens to be a type specimen
Three creatives talk to us about collaborating on sensitive projects, and how they navigate trust, ethics and the line between creating work that is hard-hitting and sensationalised
Pyjamas adorned with snakes and spaghetti-themed dish soap are just some of the products we never knew we needed thanks to Maurizio Cattelan and Pierpaolo Ferrari’s latest venture
As Deem Journal publishes its third issue, Envisioning Equity, we speak to the team behind the magazine about why they want to redefine design as a social practice
To mark its 35th anniversary, the Evening Standard magazine comes with a plethora of new contributors, a reimagined masthead and a brilliant cover image that sums up commuter life
The illustrator and writer discusses how, already 30 years into her career, a commission from the New York Times for a column called Principles of Uncertainty opened up a myriad of new possibilities
As the 2022 number of seconds before potential apocalypse is announced, Michael Bierut and other designers discuss the history of one of the most important pieces of 20th century information design
In another year of flux, magazine covers addressed everything from the Covid vaccine rollout to the climate crisis in creative new ways. We look back at ten of our favourites
The American publisher has spent the last 23 years defiantly doing the opposite of everyone else in the book and magazine world. Here’s how McSweeney’s creates its distinctive and often daring tone of voice
The DJ and artist talks to us about her wobbly style, losing and rediscovering her love of creating, and bringing together a decade of work in her new zine, I’m Not Busy but I’m Not Free