How dyslexia-friendly fonts are rewriting the book
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
Pentagram partner Jody Hudson-Powell discusses the visual language that is emerging around AI, and the importance of brand when it comes to building trust in the rapidly developing technology
Brands both large and small are leaning into a more subversive tone of voice to appeal to Gen Z audiences. But does the trend suggest we need to rethink our obsession with age demographics altogether?
The artist has collaborated with brands and created visuals for musicians including Rosalía and Lil Nas X alongside his multidisciplinary practice. Here, he discusses why creative freedom is vital when it comes to commercial work
Bas Korsten, global CCO at Wunderman Thompson, talks about using creativity to challenge people to think outside what they know, and why human ideas are still unmatched by AI
We speak to WeTransfer creative director Matt Skibiak about collaborating on Jungle’s new visual album, and how the experience fed into its own brand campaign which peeks behind the curtain of the creative process
The Copenhagen-based duo discuss their continued exploration of digital technologies and their relationship with the natural world
Does technology need to spend so much time pestering us for attention? We discuss whether design can create a better, calmer relationship with our devices and their notifications
Rather than a setback, dyslexia can be a super power in an industry where creative and visual thinking are vital, says FutureDeluxe’s James Callahan
Iain Tait, Nick Farnhill and Richard Turley’s latest venture, Food, was born out of a desire to mess around in the unknown. Here, they discuss what the agency of the future could look like
Omar Kholeif’s new book charts the rise of networked culture and its relationship with creativity. We hear from the writer and curator about the biggest turning points and what ‘internet art’ really means
After 18 months of hype, particularly in the world of advertising, we’re still not much clearer on what the metaverse will turn out to be. But, says Wunderman Thompson’s Emma Chiu, that doesn’t mean we should count it out