How dyslexia-friendly fonts are rewriting the book
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
We talk to the team behind Lexend, a typeface that is making reading easier for those with dyslexia, and explore whether all fonts should be designed with accessibility in mind
Covid-19 and inequalities in the industry such as pay disparity are hugely influencing women’s experiences in design, according to a new report from Women’s Design and Research Unit, which also offers some advice to create change
Joe Lycett has already perfected the art of trolling politicians and over-zealous brands, and is now gifting the world a coffee-table book about bins. He talks to CR about using art and comedy as rebellion and why comedians should care more about fonts
The photographer Catherine Hyland has documented the work at Fine Art Foundry in London, where artworks for the likes of Tracey Emin, Marc Quinn, and Anish Kapoor are created
Accumulate’s mission to help support those affected by homelessness into the creative industries continues with new project Creative Futures
The design and advertising industry has a plethora of award schemes. Here we examine what part they play in the industry and in the success of creative businesses
Brand collaborations can lead to fun, limited edition projects and fresh perspectives. But what makes (or breaks) a good collab?
The designers at the Royal Mint have recently made special edition coins to celebrate everything from the Platinum Jubilee to Pride to the 100th anniversary of the discovery of insulin. Hazel Davis talks to them about how they are made
While much talked about, creative and exciting uses of personalisation by brands are still fairly limited. Here we look at what technology might allow in the future
“We’ve been trying to sell out for years. Nobody’s buying,” Jerry Garcia famously said. With increasing collaborations between artists and ‘the establishment’ is the notion of selling out obsolete? And did it ever even exist in the first place?
The events of the past few years have had a significant impact on the creative talent pool and led to much movement in agencies and studios – but what does the future hold?
“We’re just doing purpose on steroids now.” Thomas Kolster, jury chairman for the 2022 D&AD Impact awards, talks to CR about why it’s time for brands to move past the hot air, and truly recognise how they can help consumers in their lives